Author's Journey

Notes on Writing in a Noisy Year

On protecting attention, the difference between rest and avoidance, and why I stopped trying to write on the days I was most informed.

By Robert Shumake · · 2 min read

Notes on Writing in a Noisy Year

I did not write well last year, and it took me until roughly October to work out why.

It was not time. My schedule was no worse than usual. It was attention — specifically, the discovery that attention is not a daily allowance that refills at midnight but something more like a surface that has to be undisturbed for a while before anything settles on it.

The morning problem

For years I wrote first thing, and for years it worked. Then, gradually, I started reading the news before I opened the file. Ten minutes, sometimes fifteen. It felt responsible.

What I did not notice is that I was not merely spending fifteen minutes. I was arriving at the desk with my head already full of other people's urgent sentences, in a register — declarative, alarmed, certain — that is almost the exact opposite of the register a novel needs. Then I would write four hundred flat words and conclude that the book was in trouble.

The book was fine. I was showing up in the wrong voice.

Rest versus avoidance

The other thing I got wrong was treating every unproductive day as a failure of discipline. Some of them were. Some were genuine depletion, and forcing those days produced pages I deleted anyway.

The test I use now is embarrassingly simple. Rest leaves you wanting to go back. Avoidance leaves you relieved and vaguely ashamed. Reorganising your notes, researching a detail you do not need yet, and reading craft advice — including this — are almost always avoidance wearing the costume of work.

What I changed

  • Nothing before the first session. No news, no email, no messages. The file opens first. This is the single change that mattered most and it was the hardest to keep.
  • A stopping time, not just a starting time. Open-ended sessions bleed into the day and make the whole day feel like failed writing.
  • One walk without headphones. Ideas arrive during boredom, and I had removed all of my boredom.
  • Reading fiction again, deliberately. Fifty pages a night of something good. Prose is contagious and I had been catching the wrong thing.

Where I landed

I do not think the answer is discipline exactly. Discipline is what gets you into the chair; it does nothing about what you bring with you.

The more useful frame, for me, has been protection — deciding in advance what the first hour is for and defending it against things that are genuinely important but not important right then.

The world will still be there at ten. The sentence that was going to arrive at eight-fifteen will not be.

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